R-A-U-X-A
2020
I am starting a new cycle that focuses on a rather archaeological and sonic aspect of movement.
However different they may be, the shows I have created are crossed by a recurring gesture, that of striking, of hammering. For this project, I follow the trace of this gesture as a place of memory, I draw a choreographic engine from it.
In R-A-U-X-A, the body enters into vibration, into resonance and becomes a pulse. I am inspired by an ancient and future memory of gestures and sounds containing hammering, a starting point for entering new physical and temporal dimensions.
I compose a hybrid dance in which the body, light, electro-acoustic and modular music dialogue and put into friction an organic/archaic material and a technological material to build together a sensory landscape and a sound architecture.
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CONCEPTION, CHOREGRAPHY & PERFORMANCE:
Aina Alegre
LIVE MUSIC: Josep Tutusaus
LIGHT DESIGN : Jan Fedinger
SPACE DESIGN : James Brandily
COSTUM DESIGN : Andrea Otin
DRAMATURGY & ARTISTIC ADVISES : Quim Bigas
STAGE & SOUND MANAGER: Guillaume Olmeta
LIGHTS MANAGER : Leslie Horowitz
SOUND MANAGER : Nicolas Martz
ADVISES ON MOVEMENT : Elsa Dumontel & Mathieu Burner INTERN STAGE DIRECTION : Capucine Intrup
PRODUCTION: Claire Nollez
INTERNATIONAL DISTRIBUTION: Vicenç Mayans, PALOSANTO projects
PRODUCTION ASSISTANT : Aniol Busquets & Laura Maldonado
EXCECUTIVE PRODUCTION : STUDIO FICTIF
CO-PRODUCERS : benefit from « La Fabrique Chaillot » program of residency – Chaillot – Théâtre national de la Danse (Paris) ; Atelier de Paris CDCN ; Chorège I CDCN Falaise Normandie in the frame of «accueil-studio » ; Centre Chorégraphique National d’Orléans – direction Maud le Pladec ; NEXT Festival ; La rose des vents Scène nationale Lille Métropole Villeneuve d’Ascq
WITH THE SUPPORT OF : DRAC Île-de-France in the frame of aide à la structuration 2019/2020
Support and residence at el Graner, centre de creació de dansa i arts vives, Barcelone ; La Place de la Danse – CDCN Toulouse/Occitanie, Tanzhaus Zurich ; Mercat de les Flors





