I am starting a new cycle that focuses on a rather archaeological and sonic aspect of movement. However different they may be, the shows I have created are crossed by a recurring gesture, that of striking, of hammering. For this project, I follow the trace of this gesture as a place of memory, I draw a choreographic engine from it. In R-A-U-X-A, the body enters into vibration, into resonance and becomes a pulse. I am inspired by an ancient and future memory of gestures and sounds containing hammering, a starting point for entering new physical and temporal dimensions. I compose a hybrid dance in which the body, light, electro-acoustic and modular music dialogue and put into friction an organic/archaic material and a technological material to build together a sensory landscape and a sound architecture.
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CONCEPTION, CHOREGRAPHY & PERFORMANCE: Aina Alegre LIVE MUSIC: Josep Tutusaus LIGHT DESIGN : Jan Fedinger SPACE DESIGN : James Brandily COSTUM DESIGN : Andrea Otin DRAMATURGY & ARTISTIC ADVISES : Quim Bigas STAGE & SOUND MANAGER: Guillaume Olmeta LIGHTS MANAGER : Leslie Horowitz SOUND MANAGER : Nicolas Martz ADVISES ON MOVEMENT : Elsa Dumontel & Mathieu Burner INTERN STAGE DIRECTION : Capucine Intrup PRODUCTION: Claire Nollez INTERNATIONAL DISTRIBUTION: Vicenç Mayans, PALOSANTO projects PRODUCTION ASSISTANT : Aniol Busquets & Laura Maldonado
EXCECUTIVE PRODUCTION : STUDIO FICTIF CO-PRODUCERS : benefit from « La Fabrique Chaillot » program of residency – Chaillot – Théâtre national de la Danse (Paris) ; Atelier de Paris CDCN ; Chorège I CDCN Falaise Normandie in the frame of «accueil-studio » ; Centre Chorégraphique National d’Orléans – direction Maud le Pladec ; NEXT Festival ; La rose des vents Scène nationale Lille Métropole Villeneuve d’Ascq WITH THE SUPPORT OF : DRAC Île-de-France in the frame of aide à la structuration 2019/2020 Support and residence at el Graner, centre de creació de dansa i arts vives, Barcelone ; La Place de la Danse – CDCN Toulouse/Occitanie, Tanzhaus Zurich ; Mercat de les Flors
MA CULTURE – INTERVIEW
With her new creation R-A-U-X-A, Aina Alegre continues her research on hybridisation and her reflection on the alliances of the body in the post-humanist era. Here there are no “new technologies” or third bionic arms.
CLAIRE ASTIER
DANSER CANAL HISTORIQUE
With R-A-U-X-A, she succeeds in capturing that fundamental, irresistible stratum of human nature that we try to domesticate and that burns beneath the surface. The struggle and complicity between rhythmic regularity and spontaneous eruptions keep the performer’s body in suspense.
THOMAS HAHN
LA TERRASSE
The astonishing Aina Alegre composes a dance that is as raw and archaic as it is delicate, using a high-definition environment.
NATHALIE YOKEL
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