R-A-U-X-A
2020
I am starting a new cycle that focuses on a rather archaeological and sonic aspect of movement.
However different they may be, the shows I have created are crossed by a recurring gesture, that of striking, of hammering. For this project, I follow the trace of this gesture as a place of memory, I draw a choreographic engine from it.
In R-A-U-X-A, the body enters into vibration, into resonance and becomes a pulse. I am inspired by an ancient and future memory of gestures and sounds containing hammering, a starting point for entering new physical and temporal dimensions.
I compose a hybrid dance in which the body, light, electro-acoustic and modular music dialogue and put into friction an organic/archaic material and a technological material to build together a sensory landscape and a sound architecture.
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DESIGN, CHOREOGRAPHY & INTERPRETATION: Aina Alegre
LIVE MUSIC: Josep Tutusaus
LIGHTING: Jan Fedinger
SPACE DESIGN: James Brandily
COSTUMES: Andrea Otin
ARTISTIC & DRAMATIC CONSULTANCY: Quim Bigas
REGIE GENERALE & SON : Guillaume Olmeta
REPRISE REGIE SON : Nicolas Martz / Loan Gatto
CONSEIL SUR LE MOVEMENT : Elsa Dumontel & Mathieu Burner
STAGIAIRE : Capucine Intrup
DISTRIBUTION: Colette Siri
CREATION PRODUCTION: Claire Nollez, Romain Courault
Photo credits opening & gallery : Jan Fedinger
PRODUCER : STUDIO FICTIF
EXCECUTIVE PRODUCER: Centre chorégraphique national de Grenoble
CO-PRODUCERS : Benefit from « La Fabrique Chaillot » program of residency – Chaillot – Théâtre national de la Danse (Paris) ; Atelier de Paris CDCN ; Chorège I CDCN Falaise Normandie in the frame of « accueil-studio » ; Centre Chorégraphique National d’Orléans – direction Maud le Pladec ; NEXT Festival ; La rose des vents Scène nationale Lille Métropole Villeneuve d’Ascq
WITH THE SUPPORT OF: DRAC Île-de-France in the frame of aide à la structuration 2019/2020
SUPPORT AND RESIDENCE AT : el Graner, centre de creació de dansa i arts vives, Barcelone ; La Place de la Danse – CDCN Toulouse/Occitanie, Tanzhaus Zurich ; Mercat de les Flors





