I seek to rediscover it through different cultures and territories in the form of different  physical practices, crafts, sounds and dances. Based on the collection of stories, this project aims to generate a living archive, linking words and traces of gestures.

Exchange, transmission and speech are the driving forces behind choreographic fictions and practices. It’s an attempt to bring this ‘root’ gesture into a contemporary context.

Several STUDIES have been presented to date in different contexts and festivals. Each performance is site-specific and communicates with the architecture of the venue. These studies explore a range of subjects, such as hammering in traditional Peruvian, Basque, Catalan and Breton dances, as well as in trades such as drummers, or revisit hammering in the sound environment of public spaces.